Skip to main content

Aron Hirt-Manheimer (he/him) is the Union for Reform Judaism's former editor-at-large, the former editor of Reform Judaism magazine (1976-2014) and founding editor of Davka magazine (1970-1976), a West Coast Jewish quarterly. His books include Jagendorf’s Foundry: A Memoir of the Romanian Holocaust (HarperCollins, 1991) and Jews: The Essence and Character of a People (HarperCollins, 1998) with Arthur Hertzberg. (Photo credit: Rose Eichenbaum)

A Conversation with Cantor Aviva Marer

Aron Hirt-Manheimer
I sat down with Aviva recently to learn more about her Indian-Jewish heritage and her decision to establish the India Covid Campaign Partnership.

Taking Stock of Reform Jewish Education

Aron Hirt-Manheimer

Reform Jewish education has changed radically since 1955, when the National Association of Temple Educators (now the ARJE) was founded. 

What Got Jews in the Pews to Sing?

Aron Hirt-Manheimer

Synagogue music experienced a radical transformation in the late 1960s, as sing-along tunes that originated in youth group and camp settings replaced the earlier performance-oriented style. The duo, Kol B’Seder, made up of Rabbi Daniel Freelander, then a voice major at the Hartt School of Music, and Cantor Jeff Klepper, then a Kutz Camp-trained song leader, helped usher in the new era of Jewish liturgical folk music.  Their 1973 setting of “Shalom Rav,” like Debbie Friedman’s “Mi Shebeirach,” have since become so ubiquitous worldwide as to be considered traditional.  

I asked Rabbi Freelander, who is now executive director of the World Union for Progressive Judaism, how a small cadre of camp-based singer-songwriters launched a revolution that got Reform Jews singing in the pews.

Give to the URJ

The Union for Reform Judaism leads the largest and most diverse Jewish movement in North America.